Featuring interviews by famous fans and followers, this rare documentary encapsulates the essence of the controversial, enigmatic, and deliciously melancholic bard.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

Bachelor Jack Worthing and his best mate Algernon Moncrieff hope to marry society’s most eligible ladies, Gwendolen Fairfax and Cecily Cardew. But the lads’ courtship of the women is far from straight forward! With double identities, plenty of ‘Bunburying’ and a number of hostile encounters with the formidable Lady Bracknell, the pair become embroiled in a web of mistaken identities with hilarious consequences.

Seven promotional films by Morrissey, released initially on VHS in 1990 and then on DVD in 2004. It was certified Gold by the RIAA on 18 January 1991. The title refers to Morrissey's childhood home in Hulme, Manchester. The L is silent, so it sounds like "humourist". The music videos: 1) The Last of the Famous International Playboys 2) Sister I'm a Poet 3) Everyday is Like Sunday 4) Interesting Drug 5) Suedehead 6) Ouija Board, Ouija Board 7) November Spawned a Monster

Alex's high opinion of himself isn't backed up by reality as he is unemployed and having trouble with his girlfriend. When he finally gets a job with the local council/municipality of Hudiksvall his life is about to change. Suddenly Alex finds himself the leader of a local theatre group of people with learning difficulties. Through their work together, Alex comes to appreciate that we all have our own talents which can grow if given the opportunity and support. "The Importance of Tying Your Own Shoes" is based on the work of the Glada Hudik Theatre whose performances have met with success in Sweden and internationally since it was formed in 1996.

Alex's high opinion of himself isn't backed up by reality as he is unemployed and having trouble with his girlfriend. When he finally gets a job with the local council/municipality of Hudiksvall his life is about to change. Suddenly Alex finds himself the leader of a local theatre group of people with learning difficulties. Through their work together, Alex comes to appreciate that we all have our own talents which can grow if given the opportunity and support. "The Importance of Tying Your Own Shoes" is based on the work of the Glada Hudik Theatre whose performances have met with success in Sweden and internationally since it was formed in 1996.

Two losers who'll do anything to try and be successful in the Triad world, but all they've accomplished is having a bad luck reputation.

A curious and lost Eleonore looks for something everywhere, even in the bags of strangers who find themselves sadly smiling only well after she's left their lives. They owe her their thanks.

Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.